Showing 16225–16256 of 25916 results
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$20.00Paris: Centre Culturel Americain, 1979. First edition. 4 x 8 inch card, printed in green on white stock. Fine. Announcement for exhibition, screenings, and performances by Moorman and Paik (TV Cello and TV Bra).
$150.00[1966]. 8 1/2 x 11 inch flyer. Very near fine. A happening at the Ponte di Rialso for the opening night of the 33rd Venice Bienale on 18 June. Printed quotation attributed to John Cage via Heinz-Klaus Metzter, “Venice is the most progressive city in the world, since it has already abolished the automobile.”
$125.00NY: WNET 1974. First edition. 18 3/4 x 13 inch poster. Folded twice for mailing, but not mailed. Fine. Poster photograph by Peter Moore, design by Jim McWilliams. Merrily Mossman directed this performance. Allen Ginsberg, Charlotte Moorman, Jud Yalkut, and John Cage are among the listed participants.
$40.00NY: Museum of Modern Art Department of Film, 1972. April 18. Two 11 x 8 1/2 inch sheets, stapled upper left. Fine. Statement of objectives, program, and notes on and by the filmmakers. The recto of the second leaf is printed on the illustrated flyer for the event, as issued.
$75.00NY: Film-maker’s Cinematheque, 1965. 11 x 8 1/2 inch flyer, printed in black on grey paper. Fine. Program for this performance featuring performance by Moorman and Kosugi, and video tape.
$20.00Paris: Musee D’Art Moderne [1972]. First edition. 4 3/4 x 6 inch illustrated card. Fine. Video image of Paik on the recto with the title text. Concert information on the reverse.
$35.00Boston: WGBH TV [1972]. First edition. Single long sheet folded three times horizontally (4 1/2 x 5 1/2 inches, closed). Fine. Paik was one of number of artists commissioned to create works employing the rep of the Boston Symphony Orchestra.
$100.00[NY]: Cafe Au Go Go, 1965. First edition. 11 x 8 1/2 inch flyer. Very near fine. Paik’s breakthrough event during which he played his ‘Pope’ tape on a borrowed portable video recorder. In addition to details on the time and place of the performance, Paik recounts the development of his idea to combining television and video tape. “As collage technic replaced oil-paint, the cathode ray tube will replace the canvass.”
$125.00NY: New School, 1965. First edition. 16 1/4 x 7 3/4 inch poster, printed on both sides. Very near fine. Performers include Charlotte Moorman, Philip Corner, Dick Higgins, Peter Moore, and others. On the verso is Paik’s essay, “Electronic TV & Color TV Experiment.”
$45.00Waltham: Rose Art Museum/Brandeis University, 1984. First edition. Three items: a one-sided 7 1/2 x 11 1/4 inch card with exhibition details, a tri-fold program for the work (7 1/2 x 11 1/2, closed) both of which feature artwork by Paik on the front panel, and the ‘84/’85 issue of keeping current, again with details of the event. All items fine. The latter two items reprint photographs of Charlotte Moorman, who performed two Paik compositions at the opening reception. The second item reproduces a Peter Moore photograph of “Rectangular Fish (detail)”. For the three items:
$50.00NY: WNET/THIRTEEN (1983). First edition. Three 11 x 8 1/2 inch sheets, stapled upper left. Fine. Thorough description of this international event hosted by George Plimpton, featuring a statement on Orwell’s vision by Paik. Scheduled performers include Laurie Anderson, Peter Gabriel, Cunningham and Cage, Ginsberg and Orlovsky, Charlotte Moorman, Joseph Beuys, Ben Vauthier, Salvador Dali, Karleinz Stockhausen, and others.
$125.00(np): (np) 1967. 11 x 8 1/2 inch flyer. Fine. Paik’s proposal for this broadcasting sea change. “Someday London Times will become ‘VIDEO-TAPE’.”
$75.00NY: The Black Gate [1967]. First edition. Two 11 x 8 1/2 inch flyers (both fine) for this event held at the Black Gate 22-24 June. The first part of the concert featured Takehisa Kosugi, Charlotte Moorman, Paik, and Jud Yalkut; the second Lars-Gunnar Bodin, Gunnar Johnson, and Ralph Lundsten. On the second flyer, the dated of 22 June has been added in pen. For the pair:
$45.00NY: The Black Gate [1967]. First edition. 8 1/2 x 11 inch flyer for this event held at the Black Gate 22-24 June. Fine. Kosugi, Moorman, Paik, and Yalkut listed to perform.
$75.00NY: Kenneth Werner, 1967. Three 11 x 8 1/2 inch sheets, stapled upper left. Light toning along one edge, else near fine. Program for this seven hour event. Listed performers include Corner, Friedman, Higgins, Knowles, Mac Low, Moorman, Neuhaus, Paik, and many others performing works by Cage, Wolff, Krumm, Mumma, Werner, Higgins, Brown, Lucifer, Schmit, MacLow, Bussotti, Goldstein-Marcy, Sheff, MacDonald, Corner, Feldman, Knowles, Zajda, Ashley, Czajkowski & Friedman, Christiansen, Stockhausen, Paik, and Iimura.
$35.00NY: Simon & Schuster (2002). First edition. 260 pp. Fine in very near fine dust jacket. INSCRIBED by Palahniuk, “To Joe - / Break / Some / Bones! / Chuck / Palahniuk.”$25.00Berkeley: University Of California Press, 1972. First edition. 8vo. Cloth. xiii + 270 pp. Translated by Angela C.Y. Jung Palandri, with Robert J. Bertholf. Near fine in a near fine jacket.$22.50NY: Farrar, Straus & Giroux (2000). First edition. 178 pp. Near fine in near fine dust jacket. Collects two previous volumes of poetry and new poems by this brilliant and beloved fiction writer, political activist and troublemaker.$50.00NY: Farrar Straus Giroux (1998). Uncorrected proof. 319 pp. Fine in printed wrappers. SIGNED by Paley. Promotional materials laid in.$25.00NY: Farrar Straus Giroux (1985). First edition. 211 pp. Near fine in near fine dust jacket. Paley's third book$20.00London: Virago (1985). First UK edition. 211 pp. Fine in fine dust jacket.$100.00NY: Farrar Straus Giroux (1994). Advance reading copy. 368 pp. One corner lightly bumped, else near fine in glossy illustrated wrappers. INSCRIBED by Paley.$150.00London: Weidenfeld & Nicolson, 1959. First UK edition. 189 pp. Near fine in very good plus dust jacket with a chip to crown of spine and one flap-fold, and light rubbing. Briefly INSCRIBED by Paley on the title page.$40.00London: Phoenix House (1999). First edition. 389 pp. Fine in fine dust jacket. Dated (1.i.99) and SIGNED by Palliser.$35.00[Berkeley: Doug Palmer] (1967). First edition. [32 pp]. Near fine in stapled wrappers. INSCRIBED by Palmer on the verso of the title page, “For Mr. Parkinson / that of / the light, / in fullness / to be / made spread / as at once, / each / made over, / and began / Doug.”$25.00Berkeley: (np) (1967). First edition. [32 pp]. Very near fine in stapled wrappers. SIGNED by Palmer on the title page.$15.00Berkeley: Oyez (1973). First edition. 56 pp. Fine in printed wrappers. One of 650 copies designed and printed by Graham Mackintosh.$20.00San Francisco: David Sandberg/OR Books 1967. First edition. Unpaginated. Near fine in stapled wrappers. Illustrated with erotic drawings.$20.00San Francisco: OR Books, 1967. . First edition. 8vo. Printed wrappers. 1/750 copies. This copy is signed by Palmer. Erotic illustrations. Near fine.$20.00San Francisco: David Sandberg/OR, 1967. First edition. [18 pp]. Very near fine in stapled wrappers. One of 750 copies. A collection of poems assembled by Palmer by combining found images from a beat-up copy of THE DIALOGUES OF LUISA SIEGEA, the title poems scavanged in an Oakland basement, and his own poems.$25.00(np): (np) (1967). First edition. 4to. [52 pp]. Near fine in stapled wrappers. Poems and collages. SIGNED by Palmer.