Showing 16065–16096 of 25702 results
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$500.00Tulsa: White Dove Press, 1960. Summer. [22 pp]. Very near fine in stapled wrappers. Cover art by Brainard, who also contributes three drawings and the design of an advertisement. Work also by Berrigan, Jack Anderson, David Omer Bearden, Richard Dokey, Richard Gallup, Carl Larsen, C. Cleburne Culin, LeRoi Jones, Dan Teis, Gilbert Sorrentino, Martin Edward Cochran, Robert Creeley, and Padgett.
$25.00Bolinas: Big Sky (1974). First edition. [24 pp]. Very good plus in stapled wrappers. Cover art by George Schneeman. One of 750 copies.$75.00(np): C Press, 1965. Second edition. 4to. [34 pp]. Very good plus in side-stapled wrappers with a long scratch to rear cover, and a small price note and stain to front. Cover art and internal drawings by Joe Brainard. The colophon calls for 200 numbered copies; this copy not numbered.$35.00Boston: Godine (1995). First edition. 112 pp. Near fine in near fine dust jacket.$50.00London: Strange Faeces, 1971. First edition. Tall 4to. [40 pp]. Lacks unprinted rear cover, else very near fine in side-stapled wrappers. Entire issue devoted to Padgett’s poems. One of 250 copies. Dated (1973 January) and INSCRIBED by Padgett, “To Cuz / in Calif. / Ron.”$45.00NY: Adventures in Poetry (nd). First edition. 4to. [16 pp]. Covers toned with a bit of foxing along the spine, else very good plus. Four poems by the son of Ron and Pat Padgett.$22.50NY: Farrar Straus Giroux (1982). First edition. 179 pp. Fine in near fine dust jacket. Original Spanish poems with facing translations by Alastair Reid and Andrew Hurley. Promotional flyer laid in..$30.00San Francisco: Auerhahn, 1961. First edition. Single 7 1/2 x 13 3/8 in sheet, folded once. Very good plus. One of 350 copies.$35.00Powell River: Seawreck Press (1986). First edition. [28 pp]. Fine in wrappers and very near fine integral dust jacket with pasted-on cover label. One of 225 numbered copies SIGNED by Page.$35.00London: Viking/Penguin (2007). First edition. 322 pp. Fine in fine dust jacket with a light wrinkle to crown. SIGNED by Page on the title page.$12.50Toronto: Oxford University Press, 1981. First edition. 95 pp. Very good in illustrated wrappers that are rubbed. A trade paperback original. Poems.$250.00NY: Knopf, 1983. First edition. 112 pp. Fine in near fine dust jacket with light rubbing to the rear panel. Introduction by William Shawcross. Uncommon in cloth.
$150.00San Francisco: North Point, 1986. First edition. 341 pp. Fine in very near fine dust jacket. Translated from the original French by Rita Barisse. Foreword by Alice Waters. Published to commemorate the fifteenth anniversary of Chez Panissse.$15.00NY: Pella Publishing Company, 1979. First edition. 110 pp. Small spot on fore-edge, else near fine in glossy illustrated wrappers. Cover art and internal drawings by George Fokas. Original Greek poems with English translations by Apostolos N. Athanassakis.$12.50Reno & Las Vegas, NV:University of Nevada Press, 1998. First edition. Fine in wraps.$25.00NY: McGraw-Hill (1979). First edition. 230 pp. Fine in fine dust jacket. Young 2959*.$25.00Metuchen & London: Scarecrow Press, 1994. First edition. ix + 383 pp w/indexes. Very near fine in full decorated cloth. No dust jacket, as issued.
$20.00Paris: Centre Culturel Americain, 1979. First edition. 4 x 8 inch card, printed in green on white stock. Fine. Announcement for exhibition, screenings, and performances by Moorman and Paik (TV Cello and TV Bra).
$150.00[1966]. 8 1/2 x 11 inch flyer. Very near fine. A happening at the Ponte di Rialso for the opening night of the 33rd Venice Bienale on 18 June. Printed quotation attributed to John Cage via Heinz-Klaus Metzter, “Venice is the most progressive city in the world, since it has already abolished the automobile.”
$125.00NY: WNET 1974. First edition. 18 3/4 x 13 inch poster. Folded twice for mailing, but not mailed. Fine. Poster photograph by Peter Moore, design by Jim McWilliams. Merrily Mossman directed this performance. Allen Ginsberg, Charlotte Moorman, Jud Yalkut, and John Cage are among the listed participants.
$40.00NY: Museum of Modern Art Department of Film, 1972. April 18. Two 11 x 8 1/2 inch sheets, stapled upper left. Fine. Statement of objectives, program, and notes on and by the filmmakers. The recto of the second leaf is printed on the illustrated flyer for the event, as issued.
$75.00NY: Film-maker’s Cinematheque, 1965. 11 x 8 1/2 inch flyer, printed in black on grey paper. Fine. Program for this performance featuring performance by Moorman and Kosugi, and video tape.
$20.00Paris: Musee D’Art Moderne [1972]. First edition. 4 3/4 x 6 inch illustrated card. Fine. Video image of Paik on the recto with the title text. Concert information on the reverse.
$35.00Boston: WGBH TV [1972]. First edition. Single long sheet folded three times horizontally (4 1/2 x 5 1/2 inches, closed). Fine. Paik was one of number of artists commissioned to create works employing the rep of the Boston Symphony Orchestra.
$100.00[NY]: Cafe Au Go Go, 1965. First edition. 11 x 8 1/2 inch flyer. Very near fine. Paik’s breakthrough event during which he played his ‘Pope’ tape on a borrowed portable video recorder. In addition to details on the time and place of the performance, Paik recounts the development of his idea to combining television and video tape. “As collage technic replaced oil-paint, the cathode ray tube will replace the canvass.”
$125.00NY: New School, 1965. First edition. 16 1/4 x 7 3/4 inch poster, printed on both sides. Very near fine. Performers include Charlotte Moorman, Philip Corner, Dick Higgins, Peter Moore, and others. On the verso is Paik’s essay, “Electronic TV & Color TV Experiment.”
$45.00Waltham: Rose Art Museum/Brandeis University, 1984. First edition. Three items: a one-sided 7 1/2 x 11 1/4 inch card with exhibition details, a tri-fold program for the work (7 1/2 x 11 1/2, closed) both of which feature artwork by Paik on the front panel, and the ‘84/’85 issue of keeping current, again with details of the event. All items fine. The latter two items reprint photographs of Charlotte Moorman, who performed two Paik compositions at the opening reception. The second item reproduces a Peter Moore photograph of “Rectangular Fish (detail)”. For the three items:
$50.00NY: WNET/THIRTEEN (1983). First edition. Three 11 x 8 1/2 inch sheets, stapled upper left. Fine. Thorough description of this international event hosted by George Plimpton, featuring a statement on Orwell’s vision by Paik. Scheduled performers include Laurie Anderson, Peter Gabriel, Cunningham and Cage, Ginsberg and Orlovsky, Charlotte Moorman, Joseph Beuys, Ben Vauthier, Salvador Dali, Karleinz Stockhausen, and others.
$125.00(np): (np) 1967. 11 x 8 1/2 inch flyer. Fine. Paik’s proposal for this broadcasting sea change. “Someday London Times will become ‘VIDEO-TAPE’.”
$75.00NY: The Black Gate [1967]. First edition. Two 11 x 8 1/2 inch flyers (both fine) for this event held at the Black Gate 22-24 June. The first part of the concert featured Takehisa Kosugi, Charlotte Moorman, Paik, and Jud Yalkut; the second Lars-Gunnar Bodin, Gunnar Johnson, and Ralph Lundsten. On the second flyer, the dated of 22 June has been added in pen. For the pair:
$45.00NY: The Black Gate [1967]. First edition. 8 1/2 x 11 inch flyer for this event held at the Black Gate 22-24 June. Fine. Kosugi, Moorman, Paik, and Yalkut listed to perform.
$75.00NY: Kenneth Werner, 1967. Three 11 x 8 1/2 inch sheets, stapled upper left. Light toning along one edge, else near fine. Program for this seven hour event. Listed performers include Corner, Friedman, Higgins, Knowles, Mac Low, Moorman, Neuhaus, Paik, and many others performing works by Cage, Wolff, Krumm, Mumma, Werner, Higgins, Brown, Lucifer, Schmit, MacLow, Bussotti, Goldstein-Marcy, Sheff, MacDonald, Corner, Feldman, Knowles, Zajda, Ashley, Czajkowski & Friedman, Christiansen, Stockhausen, Paik, and Iimura.