Showing 33–49 of 49 results
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$15.00Los Angeles: Otis Books/Seismicity Editions, 2008. First edition. 169 pp w/bibliography & index of names. Fine in printed wrappers. Translated from the original Italian by Brendan W. Hennessey and Guy Bennett, with an afterword by Benett. -
$40.00Los Angeles: Red Hill Press (1977). First edition. [56 pp] w/notes & bibliography. Very near fine in printed wrappers. Afterwords by Renato Barilli and Giulia Niccolai. Translated by Giulia Niccolai and Paul Vangelisti. Red Hill/38. -
$35.00Cleveland: Burning Press (1996). First edition. Horizontal 12mo. [44 pp]. Fine in wrappers. Afterword by Marvin Sackner, a small booklet housed in an envelope inside the rear cover. Concrete poems based on u and n.
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$75.00NY: Peter Lang (1995). First edition. xi + 197 pp. Fine in printed boards. No dust jacket, as issued. A chapter each to the figures mentioned in the title, with a generous selection of representative works at the rear of the volume. -
$20.00Toronto: Coach House (1998). Second edition. [98 pp]. Fine in glossy illustrated wrappers. One fold-out sheet.
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$20.00Vancouver: blewointment (1970). First edition. [36 pp]. Near fine in stapled wrappers. One of 700 numbered copies. A long poem, with several shaped verses and illustrations.
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$250.00NY: Something Else Press (1967). First US edition. [286 pp]. Light discoloration to top edge, else near fine in very good dust jacket with some shallow chipping along top edge, wear to base of spine, and light overall edgewear. Publisher’s price increase sticker to front flap. Cover image by Marcel Duchamp. Jacket flap text by Richard Hamilton. A solid copy of the less common hardcover issue of this concrete classic. -
$250.00London: The Architectural Association School of Architecture, 1974. First edition. 29 1/2 x 20 inch illustrated broadside, printed in three colors. Four old folds, else near fine. A bold presentation for this schedule of events featuring John Heath-Stubbs, Peter Mayer, Stefan Themerson, Hidé Ishiguro, Brian Jeffery, Henri Chopin, and George MacBeth.
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$40.00Middletown: Wesleyan University Press (1983). First edition. 187 pp. Very near fine in like dust jacket with one short tear to the top edge. Work by Jorge Mautner, Ferreira Gullar, Haroldo De Campos, Mário Faustino, Augusto De Campos, Décio Pigntari, and Lindolf Bell, largely concrete in form. -
$125.00Amsterdam: Bert Bakker (1976). First edition. 132 pp. Near fine in printed wrappers. A terrific collection of Dutch concrete and visual poetry by Hans Clavin, Herman Damen, Robert Joseph, and G.J. de Rock. -
$250.00[London]: Victoria and Albert Museum [1971]. First edition. 29 x 19 1/8 inch exhibition poster. A few scattered patches of foxing, else very good plus only. Portrait of DSH by John Furnival, poster designed by HMSO/Peter Branfield.
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$25.00NY: New Directions (1968). First US trade paperback printing. 124 pp w/bibliographical notes. Near fine in illustrated wrappers with some rubbing. Excellent anthology of concrete poetry. Prints levy's poem, “Again.” Work also by Saroyan, Higgins, Finlay, Ulrichs, Garnier, Valoch, Solt, and may others.
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$35.00Wellington: Victoria University Students’ Association (1971). June. 68 pp. Small bump to one corner, else fine in stapled wrappers. This issue features eight concrete poems by Parmee, with an introduction. Errata slip and subscription information laid in, along with a promotional flyer signed by editor Hales.
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$75.00Geneva: Palais De L’Athenee, 1975. First edition. 27 1/2 x 19 3/4 inch exhibition poster, printed in three colors. A few small light stains along top edge, and two small pin holes. In all, very good plus.
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$35.00San Francisco & Los Angeles: Invisible City (1982). First trade paperback printing. 127 pp. Near fine in illustrated wrappers. The second Invisible City book.
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$150.00NY: New Rivers Press (1973). First trade edition. [108 pp]. Near fine in illustrated wrappers. Cover photograph by Don Brewster. Postscript by Bernard Heidsieck. An uncommon title by this Sound Poetry practitioner. -
$20.00Sunsyre: Wild Hawthorn Press (nd). First edition. Three panel folding card (4 7/8 x 7 inches, closed). Fine. Describes with work of the press together with endorsements and a three color reproduciton of “A Rock Rose” by Finlay and Richard Demarco.