Showing 97–128 of 1412 results
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$15.00Berkeley: Sand Dollar, 1975. First edition. [20 pp]. Fine in sewn wrappers. Designed and printed by Clifford Burke. One of 350 (of 376) copies. Sand Dollar 15.
$75.00San Francisco: Momo’s Press, 1979. First edition. [96 pp]. Fine in full decorated cloth. No dust jacket, as issued. Title page drawings by Basil King. Foreword by George Economou. Original Spanish poems with facing English translations by Blackburn, who made this selection.
$150.00NY: Caterpillar (1966). First edition. 4to. [10 pp]. Very near fine in side-stapled wrappers. One of 100 mimeographed copies. Much less common than the later multilithed issue. Caterpillar IV. Woodward A7.
$75.00London: Hutchinson (1969). First edition. 206 pp. Near fine in very good plus dust jacket with short tears and light wear to base and crown of spine. Fifth crime novel under the Blakeston name. Young 317.
$45.00Providence: Blue Moon Press, 1973. First edition. 4to. [60 pp]. Near fine in side-stapled wrappers. One of 100 copies. First of several books by Blasing, who is now the primary American translator, together with his wife Mutlu Konuk, of the Turkish poet Nazim Hikmet.
$15.00[Easthampton]: Edition Muta (2018). First edition. 97 pp. Fine in illustrated wrappers. Cover collage by Blazek. Though not called for, SIGNED by Blazek. Muta 08.
$15.00[Northampton]: Edition Muta (2018). First edition. 116 pp. Fine in illustrated wrappers. Cover collage by Blazek. Muta 09.
$35.00Madison: Quixote, 1968. First edition, second issue. [72 pp]. Very near fine in stapled wrappers. Letters from Blazek to Don Cauble, Pete Larouche, Willie, and Brown Miller. A small number of copies were spiral-bound, but was quickly deemed too expensive and abandoned in favor of staples. DenBoer A4.
$35.00[Sacramento]: Prismatic Navigator (2019). First edition. 88 pp. Fine in illustrated wrappers. Catalogue for an exhibition held at the University Library Gallery, California State University, Sacramento from 7 February - 30 March 2019. Curated by James D. Fox with his introduction. Illustrated with 40 full-color reproductions of Blazek’s collage work. Blazek contributes his own introduction, an afterword, and the poem “Breakfast in Heaven.” While not called for, SIGNED by Blazek. New, at publication price:
$25.00London: Chatto & Windus (2003). First UK edition. 152 pp. Fine in fine dust jacket. SIGNED by Blensdorf on the title page. First novel by this Australian expat.
$250.00Boston: Mosher Press, 1957. First edition. 4to. 36 pp. Near fine in boards with plain red integral dust jacket with pasted-on cover label. One of 100 numbered copies. Nicely printed in two colors. A late collection by this American expat, who landed in Paris in the early 19202.
$125.00NY: Norton (2007). First edition. 79 pp. Fine in fine dust jacket. SIGNED by Boland on the title page. Her tenth collection.
$450.00Omaha: Cummington Press, 1989. First edition. 40 pp. Fine in marbled paper-covered boards with cloth spine and printed label. No dust jacket, as issued. Printed by Harry Duncan from Bembo and Perpetua types. One of 215 numbered copies on Ingres d’Arches paper. Dated (27 October 1989) and INSCRIBED by Duncan on the colophon page.
$40.00London: MPT Books, 2000. First UK edition. 218 pp. Fine in printed wrappers. Original French poems preceded by Rudolf’s English translations. INSCRIBED by Rudolf to R.B. Kitaj, “K. / love / A /Oct. 2000 / (letter follows).
$250.00Contexts & Editions Gallery Number Ten (1967). First edition [110 pp]. Very near fine in printed wrappers. “avec les compliments de J.F. Bory” slip accompanies, along with a clipped return address from the original parcel in which this copy was mailed.
$125.00London: Idea Books, 1971. First edition. [36 pp]. Oblong 8vo. Near fine in white glossy boards with the title embossed on the front panel. Sixteen b&w photographs of the same two paired objects in different, well, situations.
$75.00London: Sidgwick & Jackson (1961). First edition. xi + 244 pp w/contents & index of first lines. Very near fine in near fine dust jacket. Introduction by Charles Tomlinson. Dated (22.ii.62) and warmly INSCRIBED by Bottrall to a friend.
$15.00Toronto: Coach House Press (2003). Second edition. [24 pp]. Fine in green-flocked, pennant-shaped wrappers. One of 1000 copies.
$50.00Toronto: Coach House, 1971. First edition. [46 pp]. Fine in very near fine dust jacket. One of 250 copies. A serial poem based on the daily dealing of a card from the Tarot, thirty-eight in all. Miki A14a.
$850.00[North Pomfret]: Elysium Press, 1997. First edition, lettered & signed issue. x + 141 pp. Fine in full blue cloth with inset cover and spine labels. Fine publisher’s clamshell case in matching cloth. Introduction by Gavin Lambert. Illustrated with four tipped-in photographs. Upon the box endpapers are reproduced the first printings of original music by each of the two correspondents. One of 26 lettered copies SIGNED by Bowles, Rorem, and Lambert. This is copy “A.”. Original prospectus accompanies.
$300.00NY: League of Composers 1939-1944. Nine issues, all near fine in stapled wrappers. In addition to sitting on the “Composers’ Committee,” Bowles was a frequent translator and contributor from 1931 to 1946. Out of thirty or so citations, this batch includes Miller C95, C100-1, C107-8, C109, C110, C111, C134-5, C279, and C350. For the lot:
$350.00Santa Barbara: Cadmus Editions (1981). First edition, numbered & signed issue. Two LPs, both fine, in fine linen sleeve. Cover illustration by Brion Gysin. Colophon sheet and Erratum slip present. One of 100 numbered copies SIGNED by Bowles.
$75.00Bolinas: Tombouctou, 1988. First trade edition. 86 pp. Fine in full black cloth with gilt stamping to spine and front cover. No dust jacket, as issued.
$200.00[Glendale: Roy A. Squires] (1976). First edition, signed subscriber’s issue. 16 pp. Fine in sewn wrappers and fine unprinted dust jacket. One of 150 numbered copies for subscribers SIGNED by Bradbury. “Excerpts from a play-in-progress based on the MOBY DICK mythology and dedicated to Herman Melville.” Accompanied by the original printed envelope (toned overall), and the stiff mailing envelope from the publisher.
$200.00[Glendale]: Roy A. Squires, 1974. First edition, signed subscriber’s issue. [16 pp]. Fine in sewn wrappers. Accompanied by the dust jacket (fine) and both the original printed envelopes. One of 85 numbered copies on Japanese Nideggen mouldmade paper SIGNED by Bradbury.
$350.00Berkeley: Turtle Island (1977). First edition. 289 pp. Fine in full black cloth with silver lettering to spine and front panel. No dust jacket, as issued. Essays by Brakhage with individual introductions by Robert Creeley (Melies, Griffith, Dreyer, Eisenstein), Edward Dorn (Chaplin, Laurel & Hardy, Keaton, Vigo), and Guy Davenport (Dr. Caligari, Lang, Murnau, Dovzhenko).
$150.00NY: Film Culture (1963). First edition. 4to. [84 pp]. Fine in unprinted corrugated covers with a small circular cutout in the front panel. Lacks the partial printed dust jacket. Entire issue devoted to work by Brakhage. Design by George Maciunas.
$500.00San Francisco: Zephyrus Image (1975). First edition. [32 pp]. Fine in sewn wrappers. Lacks the printed mailing envelope. Cover art by Michael Meyers (uncredited). Printed dedication, “for Robert Duncan and Jess.” Remarks following a screening of “The Text of Light” at the San Francisco Art Institute 18 November 1974.
$40.00Carlsbad: Carlsbad Caverns Natural History Association (1978). First edition. Three illustrated leaves laid into a folder. All elements fine. “A spotlight of writings by John Brandi, writer in residence.”
$45.00Cherry Valley: Cherry Valley Editions (1975). First edition. [24 pp]. Fine in stapled wrappers. Cover art by Gioia Brandi. One of 500 copies. INSCRIBED by Brandi, “to Doug Blazek / John Brandi.”
$50.00NY: Abbeville Press (1984). First US edition. 272 pp w/index. Fine in fine dust jacket. A profusely illustrated survey of prolific and varied works by this group.
$125.00NY: Delacorte Press/Seymour Lawrence (1980). Advance reading copy. 295 pp. Very near fine in illustrated wrappers. Laid into this copy is a TLS from Samuel Lawrence presenting this copy to Steve Martin via his agent at Putnam’s.