Showing 1153–1184 of 1960 results
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$20.00Paris: Centre Culturel Americain, 1979. First edition. 4 x 8 inch card, printed in green on white stock. Fine. Announcement for exhibition, screenings, and performances by Moorman and Paik (TV Cello and TV Bra).
$150.00[1966]. 8 1/2 x 11 inch flyer. Very near fine. A happening at the Ponte di Rialso for the opening night of the 33rd Venice Bienale on 18 June. Printed quotation attributed to John Cage via Heinz-Klaus Metzter, “Venice is the most progressive city in the world, since it has already abolished the automobile.”
$125.00NY: WNET 1974. First edition. 18 3/4 x 13 inch poster. Folded twice for mailing, but not mailed. Fine. Poster photograph by Peter Moore, design by Jim McWilliams. Merrily Mossman directed this performance. Allen Ginsberg, Charlotte Moorman, Jud Yalkut, and John Cage are among the listed participants.
$40.00NY: Museum of Modern Art Department of Film, 1972. April 18. Two 11 x 8 1/2 inch sheets, stapled upper left. Fine. Statement of objectives, program, and notes on and by the filmmakers. The recto of the second leaf is printed on the illustrated flyer for the event, as issued.
$75.00NY: Film-maker’s Cinematheque, 1965. 11 x 8 1/2 inch flyer, printed in black on grey paper. Fine. Program for this performance featuring performance by Moorman and Kosugi, and video tape.
$20.00Paris: Musee D’Art Moderne [1972]. First edition. 4 3/4 x 6 inch illustrated card. Fine. Video image of Paik on the recto with the title text. Concert information on the reverse.
$35.00Boston: WGBH TV [1972]. First edition. Single long sheet folded three times horizontally (4 1/2 x 5 1/2 inches, closed). Fine. Paik was one of number of artists commissioned to create works employing the rep of the Boston Symphony Orchestra.
$100.00[NY]: Cafe Au Go Go, 1965. First edition. 11 x 8 1/2 inch flyer. Very near fine. Paik’s breakthrough event during which he played his ‘Pope’ tape on a borrowed portable video recorder. In addition to details on the time and place of the performance, Paik recounts the development of his idea to combining television and video tape. “As collage technic replaced oil-paint, the cathode ray tube will replace the canvass.”
$125.00NY: New School, 1965. First edition. 16 1/4 x 7 3/4 inch poster, printed on both sides. Very near fine. Performers include Charlotte Moorman, Philip Corner, Dick Higgins, Peter Moore, and others. On the verso is Paik’s essay, “Electronic TV & Color TV Experiment.”
$45.00Waltham: Rose Art Museum/Brandeis University, 1984. First edition. Three items: a one-sided 7 1/2 x 11 1/4 inch card with exhibition details, a tri-fold program for the work (7 1/2 x 11 1/2, closed) both of which feature artwork by Paik on the front panel, and the ‘84/’85 issue of keeping current, again with details of the event. All items fine. The latter two items reprint photographs of Charlotte Moorman, who performed two Paik compositions at the opening reception. The second item reproduces a Peter Moore photograph of “Rectangular Fish (detail)”. For the three items:
$50.00NY: WNET/THIRTEEN (1983). First edition. Three 11 x 8 1/2 inch sheets, stapled upper left. Fine. Thorough description of this international event hosted by George Plimpton, featuring a statement on Orwell’s vision by Paik. Scheduled performers include Laurie Anderson, Peter Gabriel, Cunningham and Cage, Ginsberg and Orlovsky, Charlotte Moorman, Joseph Beuys, Ben Vauthier, Salvador Dali, Karleinz Stockhausen, and others.
$125.00(np): (np) 1967. 11 x 8 1/2 inch flyer. Fine. Paik’s proposal for this broadcasting sea change. “Someday London Times will become ‘VIDEO-TAPE’.”
$75.00NY: The Black Gate [1967]. First edition. Two 11 x 8 1/2 inch flyers (both fine) for this event held at the Black Gate 22-24 June. The first part of the concert featured Takehisa Kosugi, Charlotte Moorman, Paik, and Jud Yalkut; the second Lars-Gunnar Bodin, Gunnar Johnson, and Ralph Lundsten. On the second flyer, the dated of 22 June has been added in pen. For the pair:
$45.00NY: The Black Gate [1967]. First edition. 8 1/2 x 11 inch flyer for this event held at the Black Gate 22-24 June. Fine. Kosugi, Moorman, Paik, and Yalkut listed to perform.
$75.00NY: Kenneth Werner, 1967. Three 11 x 8 1/2 inch sheets, stapled upper left. Light toning along one edge, else near fine. Program for this seven hour event. Listed performers include Corner, Friedman, Higgins, Knowles, Mac Low, Moorman, Neuhaus, Paik, and many others performing works by Cage, Wolff, Krumm, Mumma, Werner, Higgins, Brown, Lucifer, Schmit, MacLow, Bussotti, Goldstein-Marcy, Sheff, MacDonald, Corner, Feldman, Knowles, Zajda, Ashley, Czajkowski & Friedman, Christiansen, Stockhausen, Paik, and Iimura.
$45.00Lincoln: University of Nebraska Press, 1964. First edition. xxi + 205 pp w/glossary. Fine in very near fine dust jacket. Poems translated from the original Greek by Frederic Will with his introduction.
$75.00[Berkeley]: Sand Dollar, 1973. First trade edition. [20 pp]. Fine in sewn wrappers. Poems, printed in two colors at the Arif Press. One of 350 copies. Sand Dollar/10. Palmer’s third separate publication, preceded by a chapbook in 1971 and BLAKE’S NEWTON in 1972.
$100.00Los Angeles: Black Sparrow, 1974. First edition, numbered & signed issue. 134 pp. Fine in printed paper-covered boards and cloth spine with printed label. Fine acetate dust jacket. One of 175 numbered copies SIGNED by Palmer. Morrow & Cooney 191b.
$20.00Mexico City: El Corno Emplumado, 1966. First edition. 65 pp. Near fine in printed wrappers. Illustrated with drawings by Pedro Alcántara. Original Spanish text with an English translation by Elinor Randall. Colección acuario, vol. IIX.
$45.00San Francisco: Hackett Mill (2015). First edition. Oblong 8vo. [40 pp]. Fine in full cloth with gilt lettering to spine and front panel. Foreword by Francis Mill. Essay by John Seed. Fourteen color reproductions. Original exhibition announcement accompanies.
$40.00Gloucester: Llama’s Almanac (1972). 4to. 105 pp. Near fine in illustrated wrappers. First and only issue of this periodical. Irby, Enslin, Lansing, Robert Kelly, Hough, Charles Stein, Harvey Bialy, and many others contribute.
$200.00Northridge: Lord John Press, 1982. First edition, numbered & signed issue. 27 pp. Fine in fine dust jacket. Designed and printed by Vance Gerry and Patrick Reagh. One of 300 numbered copies on Ragston paper SIGNED by Parker.
$75.00Urbana & Chicago: University of Illinois Press (1991). First edition. xxx + 487 pp. Fine in fine dust jacket. Edited by Thomas McGeary with his introduction. Features the text of a journal kept by Partch while he wadered the West Coast of the US as a transient, thought by Partch himself, to have been lost.
$35.00Los Angeles & Fairfax: Red Hill Press, 1973. First edition. Narrow 4to. [20 pp]. Fine in stapled wrappers with Press address correction stamp. A long poem, translated by Jack Hirschman with his introductory note. Dated (Dec. 3, 2006) and INSCRIBED by Hirschman inside the front cover.
$75.00Helsinki: The 5th Columnist (2001). First edition. [160 pp w/index of band names]. Light wear to corners, else very near fine in illustrated boards. No dust jacket, as issued. Texts by Henrik Lindqvist and Janne Tamminen. Edition limited to 1500 numbered copies (this copy not numbered). Local and touring bands photographed largely live in Scandinavia. Sick of it All, Fugazi, Bob Tilton, Shelter, Misfits, Neurosis, and many others appear.
$100.00Mountain View: Artichoke Press (1976). First edition. 14 1/2 x 10 1/2 inch broadside, printed in two colors. Very near fine. Housed in a fine printed folder. One of 100 numbered copies on Goyu handmade paper SIGNED by printer Jonathan Clark and Miriam Patchen, Kenneth’s wife. Original prospectus accompanies.
$850.00NY: Padell (1948). First edition. 177 + 117 + 185 pp in one volume. Very good plus in like dust jacket with two short tears to the lower edge of the front flap. One of 100 (126) numbered copies on Rag Laid paper SIGNED by Patchen. The complete texts of FIRST WILL & TESTAMENT, THE DARK KINGDOM, and CLOTH OF THE TEMPEST. Embossed ownership stamp, “Clifford Odets / New York City” on the first leaf. Morgan A15.
$2,000.00[Berkeley]: Bern Porter, 1946. First edition, painted issue. 67 pp. Very near fine in boards with cloth spine. No dust jacket, as issued. One of 150 numbered copies SIGNED by Patchen with a painted cover (one of the more elaborate ones I’ve seen) and his holograph colophon on the rear cover, “this Edition is / Limited to 150 / Numbered & Signed / Copies with Covers Decorated / by the Author / 2 no. 2 / Kenneth Patchen.” Morgan A12b.
$850.00NY: New Directions (1949). First edition, painted issue. 64 pp. Near fine in boards with gilt-stamped cloth spine. Patchen’s original cover painting has some surface chipping, due to the pigments used, but otherwise is a strong example for this title. While the construction of the book conforms to the painted issue, it does not have the signed and numbered colophon sheet. See Morgan A18b.
$55.00NY: Padell (1946). First edition. 32 pp. Fine in unprinted stapled wrappers and fine illustrated dust jacket. Cover art by Patchen. A short prose work by the poet. Morgan A14.
$350.00Oldham: Incline Press, 1995. First edition. [8 pp]. Very near fine in sewn wrappers with printed cover label. A selection from Paul’s THE LAST TIME I SAW PARIS. INSCRIBED by printer Moss inside the rear cover, “A soft - one of the last / of the printshop rejects / Graham Moss / Good Friday 2003.” Accompanying this copy is a lengthy ALS from the printer detailing the creation of this title, and a carbon TLS from the recipient who inquired after it.
$25.00Montreal: Vehicule Press (1980). First edition. 16mo. [34 pp]. Near fine in stapled wrappers with some toning to the rear panel. Dated (6.29.81) and SIGNED by Payack on the title page. A collection of short prose pieces.