Showing 769–800 of 1109 results
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$85.00Troy: Whitston Publishing Company, 1981. First edition. 475 pp w/notes, index, & bibliography. A few spots of foxing to page edges, else near fine in boards. No dust jacket, as issued. One of 750 hardcover copies.
$500.00Paris: Centre National d’Art et de Culture Georges Pompidou (1980). First edition. Folio. xvii + [221 pp]. Fine in full cloth and matching publisher’s slipcase. Preface by Pontus Hulten. One of 1000 numbered copies. Full-color reproductions of Duchamp’s notes, grouped into “Infrathin,” ‘The Large Glass,” “Projects,” and “Word Plays.” Texts in French and English translation.$35.00NY: Achim Moeller Fine Art (1999). First edition. 4to. 48 pp. Very near fine in illustrated wrappers. Fully color illustrated.$45.00San Francisco: Readymade Press, 1990. First trade edition. Square 16mo. [74 pp]. Near fine in printed wrappers with die-cuts to the front and rear covers. Design by Diane Burk and Robert Langenbrunner. Prowler’s musings on Duchamp, and art, instigated by acquiring a telegram by Duchamp.
$125.00Paris: Eric Losfeld [1972]. First edition. 4to. 103 pp. Light bump to one lower corner, else near fine in illustrated wrappers. Over 260 items described.
$100.00Philadelphia & New Haven: Philadelphia Museum of Art/Yale University Press (2009). First edition. 447 pp w/select bibliography & index. Fine in fine dust jacket. A thorough consideration of Duchamp’s provocative work, published on the 40th anniversary of its initial installation. Profusely illustrated.$45.00Paris: Les Editions Harmonie (1980). First edition. 135 pp. Fine in wrappers and integral dust jacket. Illustrations on cover and throughout by Rikki.$22.50NY: Dutton (1990). First edition. 403 pp. Fine in fine dust jacket. Dillon, famously Jane Bowles’ biographer, here paints a dual portrait of expatriate women artists of the early American century. Dillon’s feminist and sympathetic mind is able to discern, bring out, and analyze the cultural logic of gendered historical patterns that bind together the lives of these two very different women who have remained important to us and to our arts.$20.00(np): Am Here Books/Immediate Editions (1981). First edition. 4to. [46 pp]. Fine in side-stapled wrappers. Cover illustration by Tom Clark. Mac Adams’ description of Duncan’s “Blind Date” performance recording, and ensuing controversy.$25.00Zürich: Parkett-Verlag (2003). First edition. 201 pp. Small droplet mark on the front cover, else fine in illustrated wrappers. Special twelve page insert section by Dzama.$20.00Los Angeles: Ribot (1998). First edition. 184 pp. Very near fine in printed wrappers. Features two drawings by Dzama.$25.00[San Francisco]: McSweeney’s (2005). First edition. 112 pp. Fine in printed wrappers. A trade paperback original. Dzama contributes nine pages of work to this collection, a response by over twenty artists to notes confiscated in Los Angeles area schools.$35.00Boston: New York Graphic Society (1975). First US edition. 4to. 157 pp w/bibliography, notes, & index. Fine in near fine dust jacket. Twenty-nine color pages, 91 b&w illustrations.$12.50NY: Museum of Modern Art (1961). First edition. 63 pp w/catalogue of the exhibition & bibliography. Small corner crease and faint beverage ring to front cover, else near fine in printed wrappers.$150.00NY: New York Graphic Society (1977). First US edition. 444 pp w/index. Fine in near fine dust jacket with light edge wear. Near fine publisher’s slipcase. 650 illustrations, of which 356 are in color. The edition features an original lithograph by Ernst.$45.00NY & Oxford: New York Public Library, 1986. First US edition. 4to. xvi + 192 pp w/selective bibliography. Fine in very good plus dust jacket with sunning to spine and two short tears. Foreword by Vartan Gregorian. Essays by Anne Hyde Greet, Evan M. Maurer, and Rainwater.$45.00NY: George Braziller (1983). First US edition. 187 pp w/index. Fine in fined dust jacket.$40.00NY: Abrams (1971). First US edition. 4to. 147 pp w/bibliography. Fine in near fine dust jacket with toning to spine and rear panel. Eighty-eight illustrations, with 38 in full color.$45.00San Francisco: Pomegranate (1993). First edition. 143 pp w/index. Fine in near fine dust jacket.$45.00NY: Abrams (1975). First edition. 4to. 213 pp w/index. Near fine in near fine dust jacket. 151 illustrations, including 51 color plates.$45.00Milan: Galleria Schwarz (1961). First edition. [8 pp]. Very good in stapled wrappers. Illustrated with reproductions of collages made from dominoes and coins. Essay by Ballo on Farfa o del futurismo, a poem “:Affaraffari,” and a “biography” titled Autofarfa.$35.00New Haven & London: Yale University Press (2002). First edition. 221 pp w/appendixes. Near fine in illustrated wrappers. Essays by Yve-Alain Bois, Benjamin H.D. Buchloh, and Rachel E. Perry.$40.00NY: Abbeville (1981). First edition. 4to. 228 pp w/selected bibliography & index. Fine in fine dust jacket. Fully-illustrated.
$75.00Firenze: Galleria La Vigna Nuova, 1965. First edition. 13 3/8 x 9 1/2 inch poster, printed in black on magenta. Two old folds, tiny pinhole to center. In all, near fine.$25.00Long Beach: University Art Museum (1986). First edition. 4to. 93 pp w/bibliography. Near fine in illustrated wrappers. Essay by Constance W. Glenn and Lucinda Barnes.$25.00Zurich: Thomas Ammann (2006). First edition. Small 4to. [38 pp]. Fine in printed wrappers. Sixteen full-color reproductions.$12.50Saskatoon: Mendel Art Gallery (1985). First edition. Small 4to. Near fine in glossy printed wrappers. Color and b&w reproductions. Essays by Jean-Christophe Ammann, Donald B. Kuspit, and Bruce W. Ferguson.$750.00NY: Fluxus, 1965. First edition. Single large sheet (22 x 17 inches, closed), but folded twice more, else near fine with the world “Fluxus” inked in red in the upper corner of the front panel. Edited and designed by Maciunas, with a full-page contribution by George Brecht. Fully-illustrated with found cuts and bold display type. One page devoted to the Fluxfest (Yoko Ono headlines), another to a catalogue of Fluxus items for sale.$850.00Turin & Paris: Edizione D’Arte Fratelli Pozzo/Guy le Prat (1961). First edition. [220 pp]. Near fine in very good plus dust jacket with a small tear to the slit in the front cover. Texts in French. Sixty tipped-in plates, 122 b&w reproductions. Includes a full reproduction of the 1946 Manifesto Blanco.$350.00Berkeley: University of California Press/Sam Francis Foundation (2011). First edition. 4to. 352 pp w/index. Fine in illustrated boards. No dust jacket, as issued. Housed together with a double DVD in the publisher’s clamshell case with inset cover illustration. Essay by William C. Agee. Original shipping carton present.$750.00NY: Abrams (1982). First printing of this revised second edition. Oblong 4to. 296 pp w/biographical outline, selected bibliography, & index. Foxing along top edges, rubbing to bottom edges. In all, near fine in near fine dust jacket. Essays on the prints by Susan Einstein and Jan Butterfield. Two hundred and seventeen illustrations, including 82 in full color. INSCRIBED by Francis on the half-title page to his friend and editor at Francis’ Lapis Press, “For Robert Shapazian / amitiés de /Sam Francis.”
$50.00London: Horizon, 1940. April. [76 pp]. Light crease to front cover two light smudges to spine. In all, near fine in printed wrappers. Features a drawing by an eighteen year old Freud, his first appearance in a periodical. This issue includes two book reviews by George Orwell.