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$75.00Manchester: Carcanet (1990). First UK edition. 292 pp w/index of titles & first lines. Faint foxing along top edge, else near fine in near fine dust jacket. Much less common than the US edition. -
$75.00Santa Rosa: Black Sparrow, 1997. First edition. 320 pp w/chronology & list of names. Fine in printed paper-covered boards with cloth spine and printed label. Fine acetate dust jacket. Edited by Nathan Kernan, with his introduction. One of 100 numbered copies SIGNED by Kernan. -
$200.00Santa Barbara: Black Sparrow, 1978. First edition, publisher’s copy. 197 pp. Bit of foxing along top edge, else very near fine in printed paper-covered boards and cloth spine with printed label. Fine acetate dust jacket. Designated “Publisher’s Copy” on the colophon page and SIGNED by Schuyler.
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$25.00Santa Barbara: Black Sparrow, 1978. First trade paperback printing. 197 pp. Fine in printed wrappers. Review slip laid in.
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$20.00Providence: Burning Deck, (1985). First trade edition. [24 pp]. Fine in stapled wrappers and near fine printed dust jacket with light wear along the top edge. One of 474 (of 500) numbered copies.
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$45.00Los Angeles: 1985. First edition. iv + 79 + 145 pp. Fine in gilt-lettered boards. No dust jacket, as issued. A selection of Yiddish poems translated from the original Yiddish, previously published 1950-1985, together with the collection SUN ABOVE CLOUDS, dated 1986.
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$20.00NY: Vanguard (1979). First edition. 133 pp. Small spot on bottom edge, else near fine in very good dust jacket with sunned spine and overall rubbing. Edited by Robert Phillips.
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$20.00Manchester: PN Review/Carcanet (1987). First UK edition. xii + 145 pp. Fine in fine dust jacket. Edited by Robert Phillips, with his introduction.
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$12.50Pittsford: State Street Press 1982. First edition. 22 pp. Fine in stapled wrappers and fine dust jacket. One of 350 (of 400) copies. Poems.
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$15.00Berkeley: Tree, 1974. First edition. [48 pp]. Fine in wrappers and very near fine dust jacket.
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$15.00Chicago:University of Chicago Press, 2000. Uncorrected Proof. Fine in wraps. Schwartz is a classical music reviewer for NPR, director of Creative Writing Program at UMass-Boston.
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$25.00Middletown: Wesleyan University Press (1981). First edition. 64 pp. Fine in near fine dust jacket. Printed endorsements by Pinsky, Merrill, Bidart.
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$45.00Los Angeles: Black Sparrow, 1968. First edition. [16 pp]. Fine in string-tied wrappers with die-cut cover. Five original inserts present. One of 250 numbered copies SIGNED by Schwerner. The pages themselves are die-cut and one can manipulate the poems by the removal of inserted yellow sheets to reveal or obscure words. Morrow & Cooney 25.
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$15.00Los Angeles: Black Sparrow, 1969. First trade paperback printing. 83 pp. Very near fine in printed wrappers. One of 750 copies. Poems. Cover drawing by D. Holmes. Morrow & Cooney 61a.
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$35.00Los Angeles: Black Sparrow, 1969. First edition, numbered & signed issue. 83 pp. Foxing along top edges, else near fine in full cloth with printed cover and spine labels. Near fine acetate dust jacket with small chips at spine ends. One of 125 numbered copies SIGNED by Schwerner. Morrow & Cooney 61b.
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$45.00NY: Hawk's Well Press (1963). First edition. 32 pp. Very good in printed white wrappers. First book by the author of the indispensible and irrepressible 'anthropological' long poem THE TABLETS.
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$20.00NY: Grossman, 1971. First edition. 47 pp. Very good plus in illustrated wrappers.
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$20.00London & NY: Permanent Press, 1976. First edition. Oblong 16mo. [18 pp]. Fine in sewn wrappers. One of 300 (of 350) copies. Number Eight in the Permanent Press series by Robert Vas Dias.
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$25.00[Los Angeles & Denver]: Black Ace/Bowery (1974). First edition. [16 pp]. Near fine in illustrated wrappers. Internal artwork by James Ryan Morris, Steve Wilson, Schwenz, Frank Rios, and John Fish. Black Ace/Bowery 18.
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$75.00[Denver & Los Angeles]: Black Ace/Temple of Man (1976). First edition. [40 pp]. Fine in illustrated wrappers. Poems with drawings by Bill Daily. Foreword by Sam Scibella. SIGNED by Scibella and Daily. Bowery 22. Laid into this copy is a TLS from Robert Alexander, “dear david and tina: / our first effort subsidized with funding / from the temple of man thrift shop. // please let me know if you are pleased / love / bob.”
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$25.00[Vancouver: Doni Scob] (nd). First edition. 4to. 27 pp. Very near fine in printed wrappers. Poems. Laid-in is a letter from Scob, presenting this copy for review.
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$15.00Austin: SRLR Press (1998). First edition. 39 pp. Fine in glossy illustrated wrappers.
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$22.50San Francisco: Lion’s Beath Press (1979). First edition. [16 pp]. Fine in stapled wrappers. Scotellaro’s third collection, issued as Lion’s Breath Chapbook -6- in an edition of 300 copies.
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$15.00Ellensburg: Vagabond, (1977). First edition. Unpaginated. Fine in stapled wrappers.
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$20.00Cambridge: The Golden Head Press, 1965. . First edition. 8vo. Stiff wrappers with a printed dust jacket. 52 pp. Fine in a near fine jacket with a slightly darkened spine.
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$15.00Preston: Akros Publications, (1971). First edition. 11 pp. Near fine in stapled wrappers. Parklands Poets No. 8.
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$25.00Preston: Akros Publications, 1975. First edition. 80 pp. Fine in fine dust jacket.
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$10.00Tallahassee: Naiad Press, 1981. First edition. Near fine in wraps.
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$20.00Toronto: McClelland and Stewart (1973). First edition. 95 pp. Fine in very near fine dust jacket (a bit rubbed). Scott’s eighth book of verse, a collection of poems and translations.
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$25.00Montreal: Delta Canada, 1967. Frist edition. 43 pp. Near fine in printed wrappers with a corner crease to rear cover. Introduction by Louis Dudek.
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$17.50NY: New Directions (1989). First trade paperback printing. 160 pp. Fine in glossy illustrated wrappers. INSCRIBED by Scott on the half-title page.
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$25.00NY: New Directions (1989). First trade paperback edition. 160 pp. Trivial soiling to fore-edge, else near fine in wrappers. This is the first installment of Scott’s trilogy of documentary long poems exploring the intersection between the act of writing, autobiography, and global politics and violence. A former Canadian diplomat, Scott, now a scholar at UC Berkeley, is particularly well-suited for this task, and the poem is a stunning virtuoso collage of memory, violence, and the necessity of the mediating power of artifice. A letter from publisher James Laughlin to Stanford scholar Albery Gelpi is laid in.