Showing 8321–8352 of 14019 results
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$50.00NY: Atheneum, 1977. First trade paperback printing. 213 pp. One lower corner a bit worn, else near fine in glossy illustrated wrappers. INSCRIBED by Merwin.$60.00(np): Unicorn Press (1971). First edition. 5 x 6.5 in postcard. Fine. Housed in clear printed acetate folder labeled 'Signed Edition of Fifty Copies'. Postcard is SIGNED by Merwin.$45.00(np): Unicorn Press, 1971. First edition. 19 x 12 inch broadside, printed in two colors on heavy stock. Near fine. Unicorn Broadsheet Series II Number 8.$45.00Washington DC: Counterpoint (1996). First edition. 89 pp. Fine in fine dust jacket. SIGNED by Merwin at the conclusion of the title poem.$75.00Port Townsend: Copper Canyon (2005). First edition. xviii + 543 pp w/index of first lines. Slight lean to spine, else very near fine in like dust jacket. INSCRIBED by Merwin on the half-title page, “to Jane, / Thanks for her work on this / book, and best wishes / from William Merwin / March 26 2005.”$75.00NY: Atheneum, 1979. First edition. xviii + 125 pp. Fine in wrappers with one tiny corner-crease. Merwin’s English translations with his substantial foreword. Dated (Peacock Cafe / New York / May 1981) and INSCRIBED by Merwin on the title page.$35.00NY: Atheneum, 1977. First edition. 94 pp. Fine in glossy illustrated wrappers; a trade paperback original.$450.00New Haven: Yale University Press, 1954. First edition. 87 pp. Very near fine in like dust jacket. A fresh bright copy of his second collection.$20.00NY: Macmillan, 1960. First edition. 54 pp. Pages browned (cheap paper), else near fine in printed wrappers; a trade paperback original.$30.00NY: Knopf, 1998. Uncorrected proof. 331 pp. McClatchy promotional note taped to front cover, promotional materials stapled there as well. In all, near fine in printed wrappers.$450.00NY: Atheneum, 1967. First edition. 80 pp. Near fine in near fine dust jacket with light discoloration and pale spots to spine. A less common key Merwin title from Atheneum.$15.00Washington DC: National Geographic, 2002. First edition. 159 pp. Fine in very near fine dust jacket.$100.00NY: Atheneum, 1970. First edition. 235 pp. Near fine in very good plus dust jacket with some shallow chipping along the top edge of the front panel. SIGNED by Merwin on the half-title page.$150.00NY: Atheneum, 1963. First edition. 97 pp. Light foxing to endpapers, else near fine in near fine dust jacket with a small dampstain to base of spine.$25.00NY: Atheneum, 1963. First trade paperback printing. 97 pp. Near fine in printed wrappers that are lightly rubbed.$50.00NY: Knopf, 1988. Uncorrected proof. 78 pp. Initials, ‘P.C’ to front cover, else fine in printed blue wrappers.$75.00[San Francisco]: Square Zero Editions, 1978. First edition. 17 1/2 x 10 3/4 inch broadside, printed letterpress in two colors. Fine. One of 74 (of 100) copies on Imago paper. Designed by Shelley Hoyt-Koch and printed at Black Stone Press.$75.00[San Francisco]: Intersection, 1979. First edition. 10 1/2 x 17 1/4 inch illustrated broadside, printed in two colors. Fine. Two deckle edges. Drawing by Andrew Rush. Designed and printed at the Meadow Press. One of 100 numbered copies SIGNED by Merwin.$150.00(np): Solo Press, 1971. First edition. 20 x 13 inch broadside, printed in two colors. Very near fine. Printed at Unicorn Press by Alan Brilliant. Pairs “Other Travellers to the River” and “The Approaches.” SIGNED by Merwin.$100.00(np): Solo Press, 1971. First edition. 20 x 13 inch broadside, printed in two colors. Very near fine. Printed at Unicorn Press by Alan Brilliant. One of 270 (of 300) copies. Pairs “Other Travellers to the River” and “The Approaches.”$35.00NY: Atheneum, 1982. First edition. 236 pp. Fine in near fine dust jacket.$25.00Berkeley: Small Press Distribution, 1999. First edition. 10 1/2 x 8 inch broadside, printed in two colors. Fine. One deckle edge. One of 200 copies.$50.00[San Francisco]: Square Zero Editions, 1983. First edition. 16 1/4 x 11 inch illustrated broadside, printed letterpress in two colors. Fine. Designed and printed by Shelley Hoyt at Black Stone Press. Though the colophon calls for 100 numbered and signed copies, this copy is neither.$100.00[San Francisco]: Square Zero Editions, 1983. First edition. 16 1/4 x 11 inch broadside, printed in two colors. Fine. One deckle edge. Designed and printed by Shelley Hoyt at Black Stone Press. One of 100 numbered copies SIGNED by Merwin.$20.00London: Poetry Book Society, 1961. First edition. [8 pp]. Fine in stapled wrappers. Poems by Michael Benedikt, Anne Sexton, Jerome Rothenberg, Robert Kelly, Barbara Guest, Armand Schwerner, David Ignatow, William Stafford, James Wright, Robert Creeley, and Louis Simpson. Issued for members at Christmas.$30.00NY: Atheneum, 1985. First edition. 247 pp. Very near fine in glossy illustrated wrappers with a small abrasion to rear cover; a trade paperback original. Merwin’s translations of ROBERT THE DEVIL (Anon. 14th c.), Alain-Rene Lesage’s THE RIVAL OF HIS MASTER AND TURCARET, and Pierre de marivaux’s THE FALSE CONFESSIONS.$25.00NY: Anchor Books/Doubleday, 1961. First US edition. 158 pp w/bibliography & notes. Some light foxing along top edge, else near fine in illustrated wrappers. Poems translated from the original Spanish by Merwin with his introduction.$75.00Garden City: Anchor/Doubleday (1962). First edition. 152 pp. Previous owner's inked name inside front cover, else very near fine in illustrated wrappers; a mass-market paperback original. SIGNED by Merwin on the title page.$20.00London: Anvil Press Poetry (1981). First UK edition. 109 pp w/notes. Very near fine in glossy printed wrappers. Introduction by William S. Anderson. Poetica 3.$50.00NY: Vintage (1970). First edition. 109 pp. Previous owner's inked name to front free endpaper, else very good plus in rubbed wrappers; a mass-market paperback original. SIGNED by Merwin on the title page.$75.00Paris: Embers 1977. First edition. Unpaginated. Light uneven fading to covers, else near fine in wrappers and integral printed dust jacket. Poems translated from the Spanish by W.S. Merwin. Illustrations by Patrick Burke. One of 200 numbered copies handprinted on "mold-made" white rag paper.









