Showing 417–448 of 2027 results
-
$15.00NY: Smyrna Press (1969). First edition. [48 pp]. Fine in stapled wrappers. A long poem, dedicated to Leary, Ginsberg, Dylan, Sanders, and McClure.
$45.00NY: Smyrna Press (1969). First edition. [48 pp]. Very near fine in stapled wrappers. A long poem, dedicated to Leary, Ginsberg, Dylan, Sanders, and McClure. Dated (Brighton = 6.III.70) and INSCRIBED by Dowden, “for John Furnival / and lovely family / with all hopes for / long life/love / George Dowden.”
$45.00Berkeley: Tree Books, 1974. First edition. 45 pp. Fine in wrappers and fine printed dust jacket. Poems. Her first book, one of two published by David Meltzer.
$150.00[Berkeley]: Chased Press, 1977. First edition. Long accordion fold sheet mounted to 6 1/4 inch square cardstock front and rear covers. String enclosure is tearing through the cover sticker a bit, otherwise all elements fine.
$45.00Boston: Little, Brown (1977). First edition. 142 pp. Fine in fine dust jacket with a small corner crease to the rear flap. A dramatic meditation on Kerouac’s life. Young 1086.
$75.00Lisbon: Penumbra Press (1975). First edition. 25 pp. Very near fine in full decorated cloth with printed spine label. No dust jacket, as issued. Poems. One of 250 numbered copies on Frankfort Creme paper SIGNED by Dubie.
$750.00Pasadena: Pasadena Art Museum, 1963. First edition. 4to. [56 pp]. Near fine in wrappers and very good printed clear acetate dust jacket that has four thumb-nail sized chips (none of which affect the printing on the front panel). Also known by the cover text, “by or of Marcel Duchamp or Rrose Sélavy.” Designed by Duchamp.
$45.00Candia: LeBow, 1994. First edition, numbered & signed issue. 4 pp. Fine in sewn wrappers with printed cover label. Frontis illustration by Dina Knapp. One of 100 (of 126) numbered copies SIGNED by Dufresne.
$300.00New Haven: Henry Wenning (1966). First edition. 4to. 91 pp. Fine in full black cloth with gilt stamping to spine and front panel. Very good plus unevenly toned unprinted tissue dust jacket with a few small chips. One of 200 numbered copies SIGNED by Duncan and Jess. Entire text is reproduced from Duncan’s holograph, and ornamented with drawings by Jess. A gorgeous production containing poems not reprinted in any earlier collection. Bertholf A22.
$20.00Buffalo: Poetry/Rare Books Collection (1997). First edition. 47 pp. Fine in stapled wrappers. Published jointly with Rodent Press and Erudite Fangs Editions. Interview by Anne Waldman, John Oughton, and Rob Fromme. Prints Duncan's poems, “A Letter” and “Sons of the Bard, Orpheus,” both previously unpublished.
$200.00London: Fulcrum Press (1968). First edition, numbered & signed issue. 144 pp. Fine in fine dust jacket. One of 150 numbered copies on fawn glastonbury antique laid paper SIGNED by Duncan. Bertholf A31b. Young 1100.
$350.00San Francisco: White Rabbit Press (1958). First edition. 14 pp. Light toning to extrems, else near fine in sewn wrappers. One of 278 (of 300) copies. Cast for the original production included Jack Spicer, Larry Jordan, Michael McClure, Ida Hodes, Helen Adam, Jess, and others. Bertholf A7b.
$20.00Storrs: Special Collections Department of the Wilbur Cross Library, The University of Connecticut. 1972. First edition. Single sheet folded once (10 x 7 inches, closed). Fine. One of 488 (of 500) copies issued to commemorate Duncan's reading at the Wallace Stevens Memorial Program. Prints “Structure of Rime XXVIII.” Bertholf A42.
$250.00Highlands: Jonathan Williams (1958). First edition. [68 pp]. Fine in wrappers and very near fine marbled paper dust jacket with printed spine label (touch of wear to crown). Duncan’s text, illustrated with six drawings by him “of the ideal reader.” One of 450 numbered copies. Jargon 14. The uncommon original prospectus accompanies. Bertholf A9a.
$250.00Kent: Kent State University Libraries, 1978. Second edition, lettered & signed issue. [54 pp]. Fine in sewn wrappers. Preface by Duncan, afterword by Robert Bertholf. Errata slip present. One of 26 lettered copies SIGNED by Duncan. Additionally INSCRIBED by Duncan on the colophon page, “for Alex Gildzen.” The only issue of this title to include a tipped-on color photograph of Duncan’s illumination for the MEDIEVAL SCENES papers.
$20.00[San Francisco]: The Tenth Muse (1969). Second edition. [20 pp]. Fine in stapled wrappers. This is an expanded version of the extremely limited first edition published by Poet's Press, here including two additional sections and an introduction by Duncan. Bertholf A33b.
$200.00[Berkeley]: Berkeley Miscellany Editions [1949]. First edition, second state (expurgated). 84 pp. Fine in printed wrappers. SIGNED by Duncan on the title page. Bertholf A2b.
$400.00[Berkeley]: Berkeley Miscellany Editions [1949]. First edition, second state (expurgated). 84 pp. Fine in printed wrappers. Dated (Stinson Beach, 1958) and SIGNED by Duncan on the title page. Additionally INSCRIBED, “with lines inscribed / Berkeley 1981 / for Burton, his / education / RD.” Duncan has added the 45 words excised from the second state. Bertholf A2b.
$150.00[Berkeley]: Maya Quarto Eight (1970). First edition, numbered & signed issue. [12 pp]. Fine in sewn wrappers with printed paper cover label. One of 50 numbered copies on Tovil paper. SIGNED by Duncan. Printed by Clifford Burke. Maya Quarto Eight. Bertholf A34b.
$75.00Brooklyn: Jordan Davies (1979). First edition. 12mo. [16 pp]. Fine in sewn wrappers with printed paper label. One of 200 numbered copies on Fabriano SIGNED by Duncan. Erratum slip present. Bertholf A53.
$2,000.00[Madison]: Perishable Press (1966). First edition. [16 pp]. Fine in full cloth-covered boards with gilt lettering to the front panel. One of 50 (of 70) copies on paper made by hand from linen and cotton rags. Though not called for, INITIALED by Duncan on the title page. A Perishable highspot. Bertholf A21a. Hamady 6.
$150.00London: Fulcrum Press (1968). First edition, numbered & signed issue. 136 pp. Fine in fine, price-clipped (as issued) dust jacket. One of 150 numbered copies on fawn glastonbury antique laid paper SIGNED by Duncan, though according to the bibliographer, only 125 copies were published. Bertholf A30b. Young 1101.
$40.00La Jolla: Friends of the UCSD Library, 1981. First edition. [16 pp]. Fine in sewn wrappers. Printed letterpress on Mohawk Superfine by Patrick Reagh. Issued as a keepsake for Friends of the Library. Though not called for in this issue, SIGNED by Duncan. Accompanied a printed card with notes on the publication by Michael Davidson. Bertholf A55a.
$75.00La Jolla: Friends of the UCSD Library, 1981. First edition, numbered & signed issue. [16 pp]. Fine in sewn wrappers. Printed letterpress on Mohawk Superfine paper by Patrick Reagh. Issued as a keepsake for Friends of the library. One of 100 numbered copies SIGNED by Duncan with a hand-colored title page. Bertholf A55b.
$100.00NY: House of Books, 1968. First edition, numbered & signed issue. 78 pp. Fine in full cloth and very near fine unprinted glassine dust jacket. One of 300 numbered copies SIGNED by Duncan. Sixteenth volume in the House of Books Crown Octavo Series. Bertholf A26.
$450.00Los Angeles: Black Sparrow, 1970. First edition, publisher’s copy. 24 pp. Very near fine in full gilt-stamped leather. Fine acetate dust jacket. Includes, as called for, the supplementary pamphlet printing a facsimile of the holograph notebook and final typescript of “The Feast: Passages 34” in an envelope mounted inside rear board. Designated “Publisher’s Copy” on the colophon page and SIGNED by Duncan. Additionally embellished and INSCRIBED by Duncan on the title page to the book’s publishers, “for Barbara and John / with Love.”
$1,250.00Albuquerque: Sum Books (1964). First edition, numbered & signed issue. [60 pp]. Light sunning along spine, else near fine in stapled wrappers. Folded erratum and bonus poem sheet present and fine. One of 25 numbered copies SIGNED by Duncan with an original dated (1964) and signed drawing pasted to the first leaf; in this instance, a terrific multicolored image of a snail with the accompanying text, “Turning into a Snail’s Pace.” Bertholf A13b.
$75.00London: Fortune Press, [1940]. First edition. 135 pp. A few spots to top edge, three small inked initials to first leaf; in all, near fine in near fine, clipped and re-priced dust jacket. Collects “The Unburied Dead,” “Ora Pro Nobis,” and “Pimp, Skunk and Profiteer.”
$125.00London: Turret Books (1968). First edition. 4to. [16 pp]. Fine in sewn wrappers and near fine illustrated dust jacket. Cover painting by Durrell. Designed and printed at Trigram Press. Poem by Durrell, score by Southam. One of 100 numbered copies SIGNED by Durrell and Southam. No. 4 in the series Contemporary Poetry set to Music.
$1,250.00London: Faber & Faber (1962). First collected and revised edition, limited & signed issue. 884 pp. Just a hint of sunning to spine, else fine in full decorated cloth, and unprinted acetate dust jacket. Very near fine publisher’s slipcase. One of 500 numbered copies SIGNED by Durrell. A sharp copy of this edition.
$350.00Hibbing: Wimp Press [1970]. First printing of this edition. 4to. 54 pp. Small stain to front panel near spine, else near fine in side-stapled wrappers. “Author’s royalties from the sale of this book are being donated to the Caladan Free School. Publisher’s profits will contribute to the furtherance of Woodstock Nation.” One of a number of pirate editions that preceded the trade publication in 1971.
$45.00Ostfildern & NY: Hatje Cantz/David Zwirner (2013). First edition. 4to. 183 pp w/list of works & biography. Fine in illustrated boards. No dust jacket, as issued. Introduction by Deborah Solomon, “Greetings from the Dzama Conclave.” A color illustrated survey of works on paper, sculptures, paintings, collages, and films.