Showing 161–192 of 253 results
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$75.00London: Penguin Classics (2012). Third printing. lxi + 542 pp w/indexes. Fine in illustrated boards. No dust jacket, as issued.$45.00Ann Arbor: University of Michigan Press (1993). First edition. xvi + 511 pp w/index. Fine in very near fine dust jacket.$20.00NY: Stein and Day (1970). First US trade paperback printing. 112 pp w/bibliography, discography, & index. Wrinkles along spine, price sticker to front panel. In all, very good plus in illustrated wrappers.$75.00Westport & London: Greenwood Press (1980). First edition. 133 pp w/index. Fine in full cloth with gilt stamping to spine and front panel. No dust jacket, as issued.$50.00Los Angeles & Cincinnati: Independent Project Records/Atavistic 1986. Savage Republic’s first cassette release, and first video. Generic spine label pulled from the VHS tape, else both items are fine. All printing done letterpress by band member Bruce Licher’s Indepenent Project Press. The Press would have a life of its own, generating album covers for other bands, postcards, stamps, posters, and ephemera, most employing inexpensive cardstock. For the pair:$30.00San Francisco: Pomegranate Artbooks, 1992. First edition. Fine in fine dust jacket.$35.00NY: Oxford University Press (2019). First edition. xi + 233 pp w/index. Fine in fine dust jacket.$17.50NY: Knopf, 2019. First edition. 171 pp w/list of illustrations. Fine in fine dust jacket.$12.50NY: Oxford University Press, 1983. First edition. ix + 368 pp w/index. Near fine in very good plus dust jacket with sunned spine.$25.00NY: Knopf, 1999. First trade edition. 317 pp. Fine in fine dust jacket. SIGNED by Stern on the title page.$25.00NY: Praeger (1973). First edition. 515 pp w/index. Near fine in near fine dust jacket with a closed tear to the top edge of the rear panel. Volume V in the Praeger History of Western Music.$50.00London: Royal Opera House Covent Garden Limited (1985). First UK edition. 4to. [140 pp]. Light bumps to crown and corners, else near fine in glossy illustrated wrappers. Original music, libretto, dance, actions and gestures by Stockhausen, with facing English translations by Irina Brown.
$35.00Berkeley: University of California (1977). First US edition. xxxi + 122 pp w/appendix & editor’s notes. Fine in near fine dust jacket with light sunning to spine and a wrinkle to crown. Translated from the original German by Max Knight. Foreword by Edward E. Lowinsky. From the library of Nathaniel Tarn, with his bookplate inside the front cover.
$35.00NY: Knopf, 1969. First edition. 350 pp w/indexes. Fine in very near fine dust jacket. The sixth collaboration.
$75.00Romford: Sniffin Flowers [1977]. First edition. 4to. 14 pp. Corner crease to rear cover, else near fine in illustrated wrappers. Poems by Andrew Darlington and John Osbourne, interviews with Michael Moorcock (with an extract from a forthcoming novel), and the transcription of a “brief chat” with Lemmy (Hawkwind, Motorhead) by Bobs the Roadie.$45.00Portland: Amadeus Press (2002). First edition. 258 pp w/index. Fine in very good plus dust jacket with a 4 1/2 inch closed tear running along the spine. SIGNED by Taub on the title page.$25.00NY: Henry Holt (1939). First edition. xviii + 270 pp w/index. Near fine in full cloth. Lacks dust jacket.$20.00NY: Summit Books (1988). First trade edition. 413 pp. Near fine in near fine dust jacket. Edited by Tim Page and Vanessa Weeks Page.
$50.00[Brussels]: Les Disques du Crépuscule, 1984. First edition. 22 1/2 x 11 3/4 inch illustrated poster, featuring a Kawahara photograph of Tong hoisting a television. One horizontal fold, some faint scattered foxing. In all, very good plus. Promotional poster for a 12” single by the Tuxedomoon vocalist and Obie award winning playwrite.
$200.00[San Francisco]: Go Productions [1982]. First edition. 24 x 18 inch illustrated poster. Two light horizontal bends, some wrinkling along bottom edge and upper corner. In all, very good plus. Designed by Patrick Roques. Poster advertising a series of eight shows. Uncommon.$35.00London: Thames and Hudson (1974). First UK edition. ix + 833 pp. Small ink name and date to second leaf, else very good plus in near fine, price-clipped dust jacket.$25.00NY: Penguin Press, 2018. First edition. 357 pp w/index. Fine in fine dust jacket.$35.00Cambridge & London: Belknap Press/Harvard University Press, 1994. First edition. ix + 571 pp w/index. Very near fine in like dust jacket.$20.00NY: Atria Books (2008). First edition. 584 pp w/index. Pages toned, a few small creases to a few lower page corners, in all very good plus in like dust jacket.$35.00Berlin: Theater Freie Volksbühne (1988). First edition. [140 pp]. Near fine in illustrated wrappers with light edgewear. Texts in English and German translation.$45.00Paris: Les Presses de L’Université de Paris, 1974. First French edition. 151 pp. Near fine in printed wrappers with tape-bound spine. Original English text with facing French translation. The colophon calls for 1000 numbered copies; this copy is not numbered.$27.50Cambridge & London: MIT Press (1998). First edition. xiii + 350 pp w/index. Near fine in near fine dust jacket.$50.00Carmel: SAMS/Prentice Hall Computer Publishing (1992). First edition, second printing. xxiii + 586 pp w/index. Bump to crown, else near fine in printed boards. No dust jacket.$35.00Berkeley: Creative Arts, 1981. First edition. 129 pp. Very good plus in glossy illustrated wrappers. INSCRIBED by Young, “for Ruth & Al from / a friend. You know / what it’s taken to bring / these pages to light. May / they brighten your hands / & sweeten the ear. / Much love, / Al, / 12 November 1981 / (on leave from Seattle).”
$150.00NY: Judson Hall (1962). First edition. Single long sheet folded twice (3 3/4 x 4 1/4 inches, closed). Fine. Flyer for this performance of the music of Young by LaMar Alsop, William Schoen, and Charlotte Moorman.$45.00London: Thomas Land, 1978. First trade edition. 47 pp. Near fine in printed wrappers. Cover art and internal prints by Thomas Perry. Review slip laid in.$50.00San Francisco: Backbeat Books (2002). Second revised edition. 4to. 256 pp w/index. Very near fine in glossy illustrated boards. No dust jacket, as issued. Edited by Tony Bacon. Foreword by Mark Lewisohn. “All the Fab Four’s Instruments from Stage to Studio.” INSCRIBED by Babiuk on the title page.