Showing 961–992 of 1114 results
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$35.00Santa Fe: Gerald Peters Gallery (1990). First edition. [48 pp]. Near fine in illustrated wrappers. Twenty-one color reproductions.
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$40.00Los Angeles: Charles Feingarten Galleries, 1972. First edition. [56 pp]. Light toning to spine and extrems, else near fine in illustrated wrappers. Twenty-one black and white reproductions, with an introductory text.
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$85.00NY: Rizzoli, 1986. First edition. Near fine in near fine dust jacket. Heavily illustrated with black & white and color illustrations. The history of Il Corso del Coltello (The Course of the Knife), a monumental multimedia performance performed in Venice in 1985. created by Oldenburg, van Coosje and Gehry.
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$35.00New Haven: Yale University Art Gallery (1974). First edition. 36 pp. Near fine in printed wrappers. The return of Oldenburg’s Lipstick (Ascending) On Caterpillar Tracks to the Yale campus, after its removal in 1970; the entire history of this piece, and its importance, is dicussed in a long essay by Casteras.
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$45.00San Francisco: Frey Norris Gallery (2007). First edition. 4to. 43 pp. Fine in illustrated wrappers.
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$75.00Filipacchi (1980). First edition. 4to. 80 pp. Fine in very near fine dust jacket. Preface by José Pierre. Texts in French and English translation. Color reproductions.
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$25.00Chicago: Museum of Contemporary Art, 1982. First edition. 9 x 4 inch printed card. Fine. Illustrated with Peter Moore’s photograph of V-yramid and Tom Haar’s photograph of Moorman playing Paik’s TV Cello while wearing TV Glasses.
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$25.00NY: [Charlotte Moorman] 1975]. 3 1/4 x 5 1/2 inch card. Fine. A US mail 8c postcard upon which is printed the details of this television event and with Charlotte Moorman’s home address rubber stamped on the verso.
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$35.00NY: Electronic Arts Intermix (1982). First edition. Single large sheet folded twice (11 1/8 x 8 5/8 inches, closed). Fine. Front panel image, “Electronic Zen with Tri-Color Moon,” 1967, photograph by Bernard Gotfryd. Celebrating Paik’s association with the Howard Wise Gallery and Electronic Arts, announcing his one-man show at the Whitney (April 30-June 27), and the retrospective presented by WNET/CH 13, “On the Air,” featuring performances by Ginsberg, Kaprow, Cunningham, and Charlotte Moorman. Paik and Moorman both pictured.
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$20.00Melbourne: Cantrills Filmnotes, 1974. December. Oblong 8vo. 39 pp. Very near fine in illustrated wrappers. Issue features an interview with Nam June Paik on his TV Opera, with stills from “Global Groove” on the front and back covers, and five internal pages.
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$25.00San Francisco: Palace of the Legion of Honor, 1949. First edition. Small 4to. 78 pp. Near fine in glossy illustrated boards with die-cut front cover. No dust jacket, as issued. Foreword by Thomas Carr Howell, essays by Jermayne MacAgy, Alfred Frakenstein, and Douglas MacAgy. Illustrated with b&w reproductions.
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$15.00Berkeley: University Art Museum (1972). First edition. 66 pp. Near fine in illustrated wrappers.
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$35.00NY: Staempfli Gallery (1961). First edition. [24 pp]. Very near fine in stapled wrappers. Introduction by Paul Mills. Three color and twenty-one b&w reproductions.
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$45.00San Francisco: Hackett-Freedman Gallery (2003). First edition. 4to. 56 pp. Near fine in illustrated wrappers with a pressure-dent to six leaves (in the margin). Introductory essays by W.S. Di Piero and Helen Park Bigelow. Twenty-four color reproductions.
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$25.00NY & Berkeley: Whitney Museum of Modern Art/University of California Press (1988). First edition. 4to. 152 pp. Fine in very near fine dust jacket with faint sunning to spine.
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$30.00Berkeley: University of California Press (2012). First edition. 357 pp w/notes, selected bibliography, list of illustrations, & index. Fine in fine dust jacket.
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$35.00Santa Barbara: Capra Press (1988). First edition. 128 pp. Very near fine in glossy wrappers. Illustrated with color and b&w reproductions.
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$35.00Chicago: Video Data Bank (1983). September. 34 pp. “Artweek” stamp to first leaf, else fine in stapled wrappers. Entire issue devoted to Paschke. Illustrated.
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$40.00NY: David Zwirner Books (2018). First edition. 102 pp w/list of works. Fine in illustrated wrappers. A number of color reproductions precede Durbin’s dissection of Pettibon’s prolific Twitter activity.
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$25.00Bradenton:Refuge Records (1995). First pressing. Fine 7” single in a very good folded sleeve that is lightly toned and has some wear along the top edge. Pettibon’s work first appeared on a 7” single in 1979 (Black Flag’s Nervous Breakdown).
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$250.00London: Thames & Hudson (1985). First UK edition. 4to. 549 pp w/bibliography. Very near fine in like dust jacket. Illustrated with 1153 images, 226 of which are in color.
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$25.00NY: Rizzoli (1998). First US edition. 367 pp w/index. Fine in very near fine dust jacket with a light crease to front flap. Picasso’s roots in Italian Art revealed.
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$55.00NY: Prestel (2001). First US edition. 4to. 365 pp w/selected bibliography. Fine in fine dust jacket. 317 color and 143 b&w illustrations.
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$50.00London: Thames and Hudson/Editions de la Réunion des musées nationaux (1988). First UK edition. Oblong 8vo. [116 pp]. Fine in fine dust jacket.
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$50.00Princeton: Princeton University Press (1989). First edition. xvi + 198 pp w/index. Fine in very near fine dust jacket.
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$50.00NY: Rizzoli (1975). First US edition. 244 pp. Very near fine in like dust jacket that is lightly toned. 128 full-color plates and over 1000 b&w reproductions.
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$45.00NY: Museum of Modern Art (1994). First edition. 279 pp w/index. Near fine in near fine dust jacket. 287 illustrations, of which 26 are in color.
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$20.00NY: Braziller (2000). First edition. 199 pp w/list of illustrations & index. Fine in fine dust jacket.
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$50.00NY: Abrams (1971). First US edition. 4to. 331 pp w/index. Fine in very near fine dust jacket with light toning to spine and extrems. 670 illustrations.
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$100.00San Francisco: Alan Wofsy Fine Arts, 1996. First US edition. 4to. xxii +225 pp. Fine in very near fine dust jacket. A volume in the “Paintings, Watercolors, Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973.”
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$75.00Llandogo: Old Stile Press (2002). First edition. [84 pp]. Fine in full orange cloth with gold stamping to spine and front cover. Fine printed paper vellum dust jacket. Introduction by Chris Newett. Pitts’ linocuts, printed in several colors, paired with texts. One of 150 numbered copies on Somerset Book paper SIGNED by Newitt and McDowall.
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$20.00London: Tate Gallery (1986). First trade paperback printing. 164 pp. US$ price sticker on rear cover, else very near fine in glossy illustrated wrappers. Work from more than 50 commissioned poets accompanying color reproductions of works from the Gallery.