Showing 609–640 of 1084 results
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$10.00Seattle: Frye Art Museum, (1997). First edition. Unpaginated. Near fine in stapled wrappers. Illustrated with full color and b&w reproductions.$25.00Seoul & Philadelphia: Walker Hill Art Center/Locks Gallery 1995. First edition. 60 pp w/selected bibliography. Bumps to top and bottom edge of front cover, else near fine in printed wrappers. Essays by Constance Lewallen and William Allan.$35.00San Francisco & NY: John Berggruen/Charles Cowles (2007). First edition. 74 pp. Fine in illustrated wrappers. Exhibition catalogue. 25 color plates. Introduction by David Littlejohn.$100.00Champaign: Finial Press, 1976. First edition. Oblong 12mo. [24 pp]. Light toning along spine, else near fine in stapled wrappers. Poem by Williams, “In the Absolutely Innocent, Dead-Pan Manner of Kate Greenaway,” with drawings by Brainard, “In the Action Comix Manner.” Elaborately INSCRIBED by Williams on the half-title page.$125.00Champaign: Finial Press, 1976. First edition. Oblong 12mo. [24 pp]. Light toning along spine, else near fine in stapled wrappers. Poem by Williams, “In the Absolutely Innocent, Dead-Pan Manner of Kate Greenaway,” with drawings by Brainard, “In the Action Comix Manner.” INSCRIBED by Williams to James Broughton and Joel Singer, “for / James / and / Joel / love / from / Jonathan / 1978 / Highlands.”$85.00Rochester: Visual Studies Workshop (1983). First edition. Oblong 16mo. [48 pp]. Near fine in printed wrappers with two small scuff marks to rear panel. One of 250 (of 300) copies. Lavishly illustrated with erotic drawings by Smith. Dated (5 April 84) and INSCRIBED by Smith and Williams “for Doyle.”
$75.00Rochester: Visual Studies Workshop (1983). First edition. Oblong 16mo. [48 pp]. Fine in printed wrappers. One of 250 (of 300) copies. Lavishly illustrated with erotic drawings by Smith.$35.00Cumbria: Jonathan Williams (1975). First edition. Single large sheet folded once (11 x 8 1/2 inches, closed). Fine. An essay by Williams, who has INITIALED this copy at his essay’s conclusion.$20.00Rocky Mount: NCWCP (1988). First trade edition. Exhibition catalogue. Fine in stapled wrappers. Cover photographs by Roger Manley. One of 1000 copies.
$75.00Highlands: Nantahala Foundation, 1963. First trade edition. Oblong 48mo. [20 pp]. Fine in sewn wrappers. Cover art by R.B. Kitaj. Dated (1963) and SIGNED by Williams inside the front cover. Jargon 61.$20.00Boston & San Diego: Massachusetts College of Art/San Diego State University (2003). First edition. 57 pp. Fine in glossy illustrated wrappers and very near fine dust jacket. Fully color-illustrated.$35.00Berlin: Theater Freie Volksbühne (1988). First edition. [140 pp]. Near fine in illustrated wrappers with light edgewear. Texts in English and German translation.$20.00San Francisco: Last Gasp (1989). First edition. [64 pp]. Near fine in printed wrappers. A collection of explicit and scatalogical cartoons.$45.00West Branch: Toothpaste Press 1984. First edition. 16 pp. Near fine in sewn wrappers with printed cover label. One of 575 numbered copies SIGNED by Winkfield and Padgett. Morning Coffee Chapbook Seven.$20.00San Francisco: John Berggruen Gallery (1998). First edition. 32 pp. Near fine in printed wrappers with a small scuff to the front cover. Essay by John Arthur.$12.50Kamloops: Kamloops Art Gallery (2001). First edition. 32 pp. Near fine in illustrated wrappers. Essay by Lisa Robertson.$65.00[NY]: Amilus (1994). First edition. 4to. [372 pp]. Fine in very near fine dust jacket.$25.00NY: McKee Gallery, 2015. First edition. Small 4to. 39 pp. Light taps to tips, else near fine in near fine dust jacket.$45.00Woodley: Henley-on-Thames, 1989. First edition. [16 pp]. Fine in sewn wrappers and near fine printed dust jacket. Tipped-on illustration by Owen Quesnel Lennox. Translated from the original Polish by Else C.M. Benecke. One of 75 numbered copies SIGNED by Lennox and the publisher.$35.00Cambridge: Cambridge University Press (1997). First trade paperback printing. 218 pp w/index. Near fine in glossy illustrated wrappers.$20.00Iowa City: The University of Iowa Museum of Art, 1986. 1st edition. Fine.$25.00San Francisco: San Francisco Museum of Modern Art (1967). First edition. 30 pp. Some light scattered foxing, else very good plus in glossy illustrated wrappers. Including the cover image there are fourteen reproductions, of which the cover and two additional are in color. Long text by Gerald Norland.$25.00Santa Clara: De Saisset Museum, 1980. First edition. 44 pp. Bumps and a crease to corners, light sunning to spine. In all, very good plus in illustrated wrappers.$45.00Los Angeles & Munich: Los Angeles County Museum of Art/DelMonico Books (2014). First edition. 135 pp w/index. Fine in illustrated boards. No dust jacket, as issued. Contributions by Paul McCarthy, Monica Majoli, Laura Owens, Monique Prieto, and Barbara T. Smith.$25.00NY: Whitney Museum of American Art (1971). First edition. [20 pp]. Near fine in stapled wrappers. Foreword by Solomon, essay by Hopps. Twenty-one illustrations, two of which are in color.$25.00Monterey: Monterey Peninsula Museum of Art (1995). First edition. 89 pp w/chronology & exhibition history. Sunning to spine, else near fine in illustrated wrappers.
$20.00Upper Galilee: Regional Council/Tel Hai College (1980). First edition. [24 pp]. Fine in stapled wrappers. Listed participants include Giancarlo Politi, Germano Celant, Alice Aycock, Laurie Anderson, Allan Kaprow, Vito Accconci, and several others. Text entirely in Hebrew.$75.00London: Phaidon (1994). First edition. 4to. 255 pp w/index. Fine in very near fine dust jacket. Fully-illustrated with color reproductions.$45.00Davis: John Natsoulas Gallery (1991). First edition. 4to. 158 pp w/index. Very near fine in illustrated wrappers. Terrific tribute. Lots of b&w photographs.$25.00San Francisco: San Francisco Museum of Modern Art (1997). First edition. 4to. 83 pp w/chronology & bibliography. Light toning to extrems, else near fine in illustrated wrappers. Essay by Jonathan Fineberg.
$500.00San Francisco: Artspace Books (1992-2006). First editions. Fifteen volumes, all fine in illustrated boards (exceptions noted below). A vibrant series of prose works paired with art in a (mostly) uniform format. The contributors : David Wojnarowicz, Dennis Cooper & Nayland Blake (bump to lower corners), Jim Lewis & Jack Pierson (light band of sunning to rear cover), Klaus Kertess & Nan Goldin, Carlo McCormick & Tony Labat, A.M. Homes, Guillermo Gómez-Pena & Enrique Chagoya, Zoe Leonard & Cheryl Dunye, Moody, Steinke, Oates, Morrow & Gregory Crewdson (lower corners tapped), Dave Hickey & John Defazio, Ben Marcus & Matthew Ritchie (price sticker on rear cover), Heidi Julavits & Jenny Gage, Jonathan Raymond & Justine Kurland, Rebecca Solnit & Stefan Kürten, and the volume ARTSPACE WAS, ARTSPACE IS. For the collection: