Showing 449–480 of 1125 results
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$25.00Austin & London: University of Texas Press (1974). First edition. 99 pp w/index. Fine in near fine, price-clipped dust jacket with sunned spine and one short tear. Foreword and notes by Jean Charlot. Letters and writing translated by Ruth L.C. Simms.$45.00San Francisco: Stephen Wirtz Gallery (1997). First edition. 32 pp. Very near fine in illustrated wrappers. Text by Donald Kuspit. SIGNED by Orpallo on the title page.
$45.00NY: Cape Goliard Press/Grossman 1970. First US trade edition. 4to. [120 pp]. Near fine in near fine dust jacket with a few light wrinkles to front cover. Poems by Padgett profusely illustrated by Dine, who also designed this volume.
$20.00Paris: Centre Culturel Americain, 1979. First edition. 4 x 8 inch card, printed in green on white stock. Fine. Announcement for exhibition, screenings, and performances by Moorman and Paik (TV Cello and TV Bra).
$150.00[1966]. 8 1/2 x 11 inch flyer. Very near fine. A happening at the Ponte di Rialso for the opening night of the 33rd Venice Bienale on 18 June. Printed quotation attributed to John Cage via Heinz-Klaus Metzter, “Venice is the most progressive city in the world, since it has already abolished the automobile.”
$125.00NY: WNET 1974. First edition. 18 3/4 x 13 inch poster. Folded twice for mailing, but not mailed. Fine. Poster photograph by Peter Moore, design by Jim McWilliams. Merrily Mossman directed this performance. Allen Ginsberg, Charlotte Moorman, Jud Yalkut, and John Cage are among the listed participants.
$125.00NY: New School, 1965. First edition. 16 1/4 x 7 3/4 inch poster, printed on both sides. Very near fine. Performers include Charlotte Moorman, Philip Corner, Dick Higgins, Peter Moore, and others. On the verso is Paik’s essay, “Electronic TV & Color TV Experiment.”
$50.00NY: WNET/THIRTEEN (1983). First edition. Three 11 x 8 1/2 inch sheets, stapled upper left. Fine. Thorough description of this international event hosted by George Plimpton, featuring a statement on Orwell’s vision by Paik. Scheduled performers include Laurie Anderson, Peter Gabriel, Cunningham and Cage, Ginsberg and Orlovsky, Charlotte Moorman, Joseph Beuys, Ben Vauthier, Salvador Dali, Karleinz Stockhausen, and others.
$125.00(np): (np) 1967. 11 x 8 1/2 inch flyer. Fine. Paik’s proposal for this broadcasting sea change. “Someday London Times will become ‘VIDEO-TAPE’.”
$45.00San Francisco: Hackett Mill (2015). First edition. Oblong 8vo. [40 pp]. Fine in full cloth with gilt lettering to spine and front panel. Foreword by Francis Mill. Essay by John Seed. Fourteen color reproductions. Original exhibition announcement accompanies.$17.50San Francisco: Maxwell Galleries Ltd. (1970). First edition. Small 4to. 27 pp. Near fine in stapled wrappers. Eighteen color and b&w reproductions. Texts by Paul Mills.$15.00Berkeley: Committee for Arts and Lectures 1964. First edition. [32 pp]. Near fine in illustrated wrappers. Color and b&w illustrations.$20.00San Francisco: Hackett-Freedman Gallery 1998. First edition. 24 pp. Fine in illustrated wrappers and very near fine printed dust jacket. Essay by Paul Mills. Color reproductions.
$850.00NY: New Directions (1949). First edition, painted issue. 64 pp. Near fine in boards with gilt-stamped cloth spine. Patchen’s original cover painting has some surface chipping, due to the pigments used, but otherwise is a strong example for this title. While the construction of the book conforms to the painted issue, it does not have the signed and numbered colophon sheet. See Morgan A18b.$30.00New Brunswick & London: Rutgers University Press (1990). First edition. 283 pp w/index. Fine in near fine dust jacket with two light wrinkles.$75.00London: Grey Walls Press (1949). First edition. 62 pp. Near fine in very good plus dust jacket with sunned spine and extrems, and a small chip from the top edge of the front panel. Peake provides and introduction to this collection of b&w and color reproductions.$35.00East Roseville & NY: Gordon & Breach Arts International (1993). First edition. 235 pp. Fine in near fine dust jacket with a few light wrinkles.$25.00NY: Stewart, Tabori & Chang (1996). First edition. 240 pp. Fine in fine dust jacket. Fully illustrated in color.$35.00San Francisco: North Point, 1988. First edition. 142 pp. Fine in near fine dust jacket with sunning to spine.$25.00Kriens: Museum in Bellpark (1992). First edition. 56 pp. Light toning to edges, else near fine in glossy illustrated wrappers. Illustrated exhibition catalogue. Eight page booklet (in English) about Perrin laid in.$25.00Stanford: Stanford University Libraries, 2001. First edition. 31 pp. Fine in sewn wrappers and fine illustrated dust jacket. Preface by Roberto G. Trujillo. Essay by D. Vanessa Kam. Published on the occasion of an exhibition at the Stanford University Library.$50.00Cambridge & London: MIT Press (2007). First edition. viii + 478 pp w/notes & bibliography. Very near fine in like dust jacket. All of Picabia’s significant publications, many with the reproductions of the original illustrations. Translated by Marc Lowenthal.$35.00NY: Kent Fine Art (1989). First edition. 75 pp. Fine in printed wrappers. Essay by Sarah Wilson, “Accomodations of Desire.” Illustrated with color plates.
$75.00San Francisco: City Lights Books (1968). First US edition. 39 pp. Fine in printed wrappers. Translated from the original Spanish by Paul Blackburn. Introduction by Camilo José Cela. Pocket Poets #25. Cook 71.$20.00NY: Hirschl & Adler/Abrams (1988). First trade paperback printing. 79 pp w/bibliography. Fine in illustrated wrappers. Essay by Jeffrey Hoffeld. Thirty-one reproductions.$75.00NY: Gagosian Gallery (2003). First edition. 4to. [142 pp]. Tiny bump to base of spine, else fine in illustrated wrappers. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. Profusely illustrated.$25.00Berlin & Köln: Edition Hundertmark, 1980. First edition. [15 pp]. Fine in stapled wrappers. One of 300 copies. Black & white drawings.$25.00London & NY: Verso (1992). First edition in English. 215 pp w/notes. Fine in near fine dust jacket with sunning to spine and a small scuff to crown. Edited by José Pierre. Afterword by Dawn Ades. Translated by Malcolm Imrie.
$100.00Dorset: The Bettiscombe Press [1971]. First edition. [64 pp]. Near fine in thick black card covers. A poem by Michael Pinney illustrated by tinted, scratched and/or collaged photographs by John Miles. Each page contains one to seven or so lines from Pinney's poem, “Orion's Sword,” coupled with a photograph or photo collage by Miles. A beautiful production. Uncommon.
$100.00Llandogo: Old Stile Press (1999). First edition. Oblong 8vo. [42 pp]. Fine in printed paper-covered boards. No dust jacket, as issued. Text from the fourteenth century Chester cycle of miracle plays, illustrated with linocuts by J. Martin Pitts. One of 220 numbered copies on Hahnemühle Ingres paper SIGNED by Pitts.
$100.00LLandogo: Old Stile Press (1989). First edition. 4to. [76 pp]. Fine in printed paper-covered boards with cloth spine. Fine publisher’s decorated slipcase. One of 220 numbered copies SIGNED by Pitts. Silhouette images of boys who danced in tribute to Apollo on a cliff above the southern Aegean.$25.00Cambridge: Belknap Press of the Harvard University Press, 1968. First US edition. xii + 250 pp w/index. Very near fine in full decorated cloth. Lacks dust jacket. Translated from the original Italian by Gerald Fitzgerald, with his introduction.